Antares AVOX Bundle VST RTAS v1.1.3
Год выпуска: 21.09.2007
Версия: v1.1.3
Платформа: VST.RTAS
Совместимость с Vista: неизвестно
Язык интерфейса: только английский
Таблэтка: Не требуется
Описание: Набор специализированных плагинов для обработки вокала.
From the company that revolutionized vocal production
with Auto-Tune comes AVOX- the Antares Vocal Toolkit.
With AVOX, Antares has combined five state-of-the-art
vocal processing modules to give you the power you
need to create stunning vocal tracks in any musical
style as well as design unique vocal effects for
audio post-production applications.
The AVOX Antares Vocal Toolkit includes:
THROAT Physical Modeling Vocal Designer
THROAT is a radical new vocal tool that, for the
first time, lets you process a vocal through a
meticulously crafted physical model of the human
vocal tract. THROAT begins by neutralizing the effect
of the original singer's vocal tract and then gives
you the ability to specify the characteristics of the
modeled vocal tract.
THROAT's controls allow you modify the voice's
glottal waveform as well as globally stretch,
shorten, widen or constrict the modeled vocal tract.
For even more detailed control, THROAT's graphical
Throat Shaping display allows you to individually
adjust the position and width of five points in the
vocal tract model, from the vocal cords, through the
throat, mouth and out to the lips. Finally, THROAT's
Breathiness controls let you add variable frequency
noise to the model, resulting in a range of vocal
effects from subtle breathiness, to raspiness, to a
full whisper.
While THROAT has been designed to allow subtle
modifications to a voice's vocal quality, the range
of the controls also allows the creation of vocal
tract models well beyond the limits of physical human
anatomy, offering the possibility of vocal
characteristics that are simply unattainable by any
other means.
Audio Example AVOX Demo. In this piece, which
features one male and one female vocalist, THROAT has
been used to create the various lead and backup vocal
sounds. DUO, CHOIR and PUNCH also make appearances.
DUO Vocal Modeling Auto-Doubler
DUO automatically generates a doubled vocal part from
an existing vocal. In addition to allowing
programmable variation in pitch, timing and vibrato
depth, for even more realism, DUO also includes a
simplified version of THROAT's vocal modeling to
provide timbral variation for the doubled part. DUO's
output section gives you independent control of the
level and stereo position of the original and doubled
voices.
CHOIR Vocal Multiplier
Neither a harmonizer nor a conventional chorus
effect, CHOIR is a unique processor that actually
turns a single voice into 4, 8, 16, or 32 distinct
individual unison voices, each with its own pitch,
timing and vibrato variations. The voices can, if
desired, be spread across the stereo spectrum. Assign
an instance of CHOIR to each of four voices singing
four-part harmony and voilа, instant choir.
Audio Examples Backup singer. Once female vocalist
with multi-tracked harmony.
Backup choir. The same tracks with CHOIR applied to
each track.
Male trio. Once male vocalist with multi-tracked
harmony.
Male choir. The same tracks with CHOIR applied to
each track.
PUNCH Vocal Impact Enhancer
PUNCH is a unique processor that, as its name so ably
implies, lets you give your vocal more dynamic
impact, allowing it to cut through a dense mix with
clarity and power. Combining advanced dynamic
processing with an incredibly easy-to-use interface,
PUNCH gives professional results while letting you
focus on your music.
As Paul White put it in his review of PUNCH in Sound
On Sound:
"...you can nail the level of a vocal track in a mix
without being a compression wizard...If you can't get
your vocal to sit in a track using this, it's
probably deficient in some other way."
The original track. Particularly note how the level
of each vocal phrase tails off at end.
Processed with PUNCH. Note the consistent level and
increased dynamic impact.
SYBIL Variable Frequency De-Esser
SYBIL tames vocal sibilance with a flexible
compressor with threshold, ratio, attack and decay
controls as well as a variable highpass frequency to
match any vocal performance.
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